My Half-fast Rule of Thirds

The Rule of Thirds is one of the most established principles of photographic arrangement. Its nine equal boxes dictate how the human eye responds to placement and dynamics of movement. If our eye lands on the wrong junction, our brain responds with a shot of bland. Throw in a pleasing curve, or place the subject off to either the left or right third of the arrangement and the brain responds favorably.

I photograph things that tend to be, well, busy. Lots of textures. Trees, prairie grasses and flowers, rows of corn growing, piles of fallen leaves. I work sitting on the ground, or flopped on my belly. Neither position allows for moving easily to find that sweet spot in the lens. These prairie flowers were shot at Aldo Leopold’s Sand County property near Baraboo, Wisconsin.

When I get my subject in focus it rarely stands alone. Wind blown plants wave behind and in front of my little beauties. Rarely does one tree stand alone, unless it has fallen and begun the slow process of breaking back to feed earthly creatures. Weather interferes. I haven’t shot a portrait in over ten years a still life in over five. Point the camera at one of my critters and they immediately move.

My half-fast rule is, if a third of my shots are keepers, I’m happy. I live with lovely, wild, natural bokeh. On a great day, I get close to a rule of 2/3. I’ve learned to live with it. Let me know what rules you’re willing to break. Thank for stopping by again.

I’ve just starting posting different works on a new photo site, ViewBug – Charly Makray-Rice .

 

Weekly Photo Challenge:Rule of Thirds

 

Advertisements

An Improbable Scale

One misplaced finger on the keyboard and an entire prelude, poof. Of course, I have no notes. Muse, where art thou?

Of course, unbelievable, incredible, farfetched on a grand scale. Nothing could top the cake, plant the flag on the mountain peak, or jump the puddle, on a more absurd beginning than this.

Kickstarting my muse is akin to getting the polka band in tune, and the residents of Bogside Senior Living Center onto the floor to jig with Stadler and Waldorf.

DSC00Leaf_Blog

 

Scale gives photographic material an acceptable variation of density.  This image is a layered composite of four different photos; Birch bark and a layer each of a leaf of Shagbark Hickory, Quaking Aspen, and the top one, I really have no idea.  If anyone recognizes it, please let me know.

DSC_0033_Blog

I recently discovered our bog is actually a ‘Shrub Carr’. There are several types of wetlands. A bog has a layer of peat moss covering the bottom layer of soil. We lack that. We do have Red Twig Dogwood, small willows, various ferns, (a bracken or bract, something which resembles a fish scale in texture), sedges, and later in summer wetland wildflowers. The image above is two layers, each a couple of different ferns, Sensitive and Ostrich (my best guess). Dang, I missed the leaf shadow in the lower right corner. Oh, well, as a friend accidentally embroidered, “nobody’s pecfect”!

These are the improbable components in the scale of my life. Not likely to cause a major eruption on Facebook or other social media. I’ve been playing around with On One Perfect Photo Suite again, and recently added Topaz Labs ReStyle and Detail 3 to my collection. Still a seeker, more aha that’s interesting than oh my so boring again.

Thanks again for stopping The Less Paved. Let me know what you think of my experiments. If you’re playing as well I’d like to hear about your work.

 Weekly Photo Challenge:Scale